We use the same chord progression as in the first example, though in every other measure we anticipate the second and third beats with chord stabs-a subtle, but noticeable difference. 3 is a slightly more syncopated version of the basic pattern. The second half of the progression starts with a IIm-V7-I cadence, but I used a tritone substitution for the G7 (Db9). We’ll stick to typical jazz voicings because right now we want to focus more on the rhythm and technique. You can play this fingerstyle or with a hybrid picking style, which is my approach. You’ll notice it has an alternating bass part that’s played against the rhythm of the other fingers. 2) is what I’d call a basic bossa nova pattern. If we wanted to play a 2-3 clave we would simply flip these two measures around. In our example we have a 3-2 clave-three beats in the first measure and two in the second. A clave is a two-measure pattern that serves as the basis for nearly all styles of Latin music. 1 is a written example of the bossa nova clave. I’d recommend watching videos of people dancing to bossa nova to learn more about the feel of this music.įig.
In Brazil, these types of rhythms were closely identified with dancing, and the tempo for a bossa nova was slow and cool. Antônio Carlos Jobim and João Gilberto pretty much invented this style and made it popular. In this lesson we’re going to look at two of the most popular music styles to come out of Brazil, bossa nova and samba.Ĭombining simple folk rhythms with extended jazz harmonies, bossa nova emerged from Rio de Janeiro in the 1950s. Many musical styles originated in Brazil, including choro, samba, batucada, partido alto, bossa nova, baião, and frevo.
#So nice bossa nova guitar tab how to
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